THE INCHCOLM SESSIONS: RECONSTRUCTING HOLLYWOOD LIGHT
The Inchcolm Sessions: Reconstructing Hollywood Light February 8, 2026. Thomson Suite, The Inchcolm Hotel, Brisbane. The question that kept me awake the night before was simple: How do you paint light you’ve never actually seen? I’ve studied George Hurrell’s Hollywood portraits for years — analysed his lighting diagrams, read technical manuals from the studio era, studied vintage equipment specifications. I know intellectually that his signature look came from a specific Fresnel positioned at 45 degrees, a white reflector at camera right, and a hair light from above, creating that characteristic “stardust” separation. I can recite the inverse square law, explain…
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LUMINOUS SHADOWS: NAVIGATING HOLLYWOOD’S DUALITY THROUGH ART
Last week, I found myself transfixed by a particular frame from “The Women” (1939). The scene shows Joan Crawford’s character, Crystal, illuminated by that perfect MGM lighting—Bardwell & McAlister Fresnels positioned to create the signature Hurrell glow that defines my understanding of visual perfection. My brushes were already moving, eager to capture that precise quality of light on skin, the architectural precision of shadow and highlight that seems almost mathematically perfect. Then I paused, thinking of Crawford’s personal stories, the studio system that both elevated and constrained her, the complex reality behind this manufactured perfection.This moment of hesitation has become…
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SUSPENDED IN LIGHT: THE NARRATIVE POWER OF A SINGLE MOMENT
In my paintings, I’ve always been drawn to that pivotal moment – the breath held, the glance about to be returned, the decision not yet made. These suspended instants contain a universe of possibilities, capturing not just what is, but what might be. Classical painting has always sought to freeze time, but the tradition of noir cinema taught us that certain frozen moments can feel paradoxically alive with movement and tension. When a femme fatale pauses in a doorway, bathed in dramatic light, the stillness pulses with narrative energy. This is the quality I seek to capture in my work…
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DANGEROUS CURVES AHEAD
I’ve recently added some new and unpublished creations to my website, including the oil painting ‘A Hollywood Still Life’ and a series of eleven small watercolors. These watercolors served as maquettes, allowing me to explore ideas on a small scale. Watercolor, with its inherent unpredictability and unique qualities, never ceases to captivate me. Its freshness and vitality continue to inspire spontaneous creativity into my work, and I’m excited to be delving further into this expressive medium. I’m four works into the preparation for a new solo exhibition. It will take some time to prepare the art, but the journey, discovery…
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PAINTING CHANEL
Earlier this year I announced I’d be painting Teach Us Consent founder and CEO, Chanel Contos. This work was completed and, in this post, I’m sharing the development of the piece. Upon accepting my request to paint Chanel’s portrait, the first step was to conduct a survey of what already existed of Chanel on the internet in public-facing and social media (Fig 1). This is because the portrait of Chanel, once completed, would initially be a public work. This is opposed to a work being privately commissioned. A portrait that is being seen by the public, in my opinion, is…
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RISE UP TRAILER
I expect the short film will be from 6 to 10 minutes long. My integrity to the film remains steadfast and it will be as long as it needs to be. This trailer is very short but will provide audiences with some context and an appetite to view the film when it’s released. The RISE UP Keyframes We are used to seeing glamourous Hollywood actresses appearing so meticulous and composed. And although the character of Maya in RISE UP aspires to walk the red carpet amidst throngs of flashes, tragically, she is subjected to the most horrible of fates, sexual…
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TEACH. US. CONSENT.
Painting Chanel Contos for the 2022 Archibald Prize Recently I had the great pleasure of catching up with Chanel Contos for breakfast and a photo shoot. Chanel will be my subject for this year’s Archibald Prize. Chanel broke news headlines in 2021 when her petition, Teach Us Consent, attracted over 44,000 signatures and 6,500 testimonies. Teach Us Consent is a movement founded by Chanel to provide earlier holistic consent and sex education in Australian schools. Her story has been featured in the New York Times, Vogue’s 21 Australian Women Who Defined 2021, and Marie Claire’s 2021 Women of the Year,…
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FINDING BEAUTY
6 minute read. In this article, I discuss how drawing helped me gain a more authentic and better understanding of what beauty is and what it means to me.I created this drawing inspired by a photoshoot I conducted with my model Anoush. I intended to make beautiful photographic images, and I felt we accomplished that. But I wasn’t sure what the pictures meant to me. It wasn’t until I reflected on drawing this image that I could objectify and express recognition of what was not immediately prevalent in the photos. Part 1 – Relationships and Intimacy You share intimacy with…
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IN THE FRAME: EMMA LANDIS
Emma Landis is an art consultant and historian whose passion for art stokes the fires of Toronto and Ontario’s art scenes. We discuss art collecting, her research into Abstract Expressionist founding father Clyfford Still, and Emma’s unique gift of applying lessons of the past to the social issues of the present and future. In The Frame · In The Frame: Emma Landis Emma Landis is an art consultant and historian based in Toronto, Canada. She is a Ph.D. (ABD) in Art History & Visual Studies (University of Victoria), an MA in Visual Studies (Western University), and BAH in Art History…
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IN THE FRAME: BRETT MOFFATT
Award-winning artist Brett Moffatt takes listeners into the lives of artists, curators, models, writers, and performers. Brett shakes the conventional by going backstage, into the studios and dressing rooms of people we’d like to know and understand more. Learn how an acclaimed painter and photographer gets to know his subjects. In today’s episode, I am under the spotlight, reflecting on change, an art practice dedicated to service and an art empowered to effect social change.
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ON THE CANVAS: APRIL 2021
Brett replaces the paintbrush for the microphone in this refreshing take on what’s muse worthy from the studio, providing the latest happenings through audio with pictures. Links discussed by Brett in this episode: In the FrameBrett Moffatt Art RegisterEventsInfo Recent Commissions “Early last year, I came across some of Bretts’ work. I was amazed at the detail and quality of his artistry. I immediately contacted him and asked if he would commission a very personally significant piece for someone special on my behalf. Upon final delivery, I was without words as Brett was able to capture the subject’s moment, significance,…
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